All art should inspire and make us think about life in a different way. This little artwork does so for me. Currently it is hanging in front of me as I sit at my desk. I know that it is an odd image (as my brother-in-law would say, no accountin' for taste...) but the whole process of acquiring the painting, the life and value of the artist and the subject itself speaks to me and encourages me.
I know that it is not very aesthetically pleasing. But some things in life are not. As much as we want things to be otherwise, we can get stuck in the muck and dirt. It can be very humbling especially when we picture ourselves as a beautiful flower in an idyllic setting and think we are above the mud. The reality is that we are more in the dirt than we think. Humble and humus come from the same root words- from the earth. Humility is not a weak character trait; it is one that cultivates growth. The painting reminds me to be humble in all my endeavors.
Sometimes we are placed in situations that just don't seem to fit. We are flowers that for whatever reason- circumstances, choices, temperament- we find ourselves growing in a totally unlikely place. We may want to cry over our situation but we can also think of our placement as necessary. Necessary to maintain balance for ourselves- remaining humble despite what we think we deserve. Necessary for others to see life in a different way- one can bloom even when the environment seems hostile. We are called to make the best out of our lives and sometimes we have to live that adage, not just say it.
The artist always felt that her talent was God's gift to her. She has been faithful to that gift most of her life, continuing to paint even in her nineties. I first saw this painting three years ago when I had strolled into an artist's guild studio in one of the little villages on the Cape. At the guild, each artist takes a turn at the sales desk so on the day I visited, Vivien happened to be behind the desk. I liked her other paintings but was struck by the oddity of this subject, flower and onions against her boating, beach and floral scenes. When I asked her about it, she said that she wanted to try something different. She even sang the song to me, "I'm a Lonely Little Petunia in an Onion Patch" on which the picture was based. We had a lovely conversation about art, the sense of calling and how one needs to persevere in the art practice. At the time I debated purchasing the painting. It wasn't "attractive" so I didn't. Yet over the last three years, I would think about it and think of Vivien. I would recall her story and it would encourage me. "Next time I am at the Cape I need to see if I can get it."